Author: tmemmott


OULIPOSCOPE_3-14redact Posted by in Blog, on October 17, 2015

Ouliposcopes are like horoscopes. Using horoscopes as seed text, an ouliposcope goes through various processes to arrive at something different. Here are some examples: METHOD PROCESS 1: astrological appropriation Appropriate three horoscopes from a single day – a general horoscope, a love horoscope, and a career horoscope. In addition, take the general horoscope for the week. All […]

Web Supplement

Posted by in Blog, on October 16, 2015

The web supplement that accompanied my dissertation is available online HERE. The supplement includes: links to online references referenced in the dissertation links to online creative works referenced in the dissertation supplemental creative work examples including some otherwise unpublished combinatoric work  

The Exquisite Corpus: Issues in Electronic Literature

exquisite_corpus_1 Posted by in Video Work, on October 10, 2015

ONLINE AT: The Exquisite Corpus: Issues in Electronic Literature is a full length video-essay on issues that circulate around the discipline of electronic literature. Questions addressed in the video-essay include national literatures, the post-human, the future of electronic literature, data-cultures, and if electronic literature can exist at all. The video-essay includes interviews with 17 scholars and […]

Nonce.Executor (disposable language)

nonce-2 Posted by in Video Work, on October 10, 2015

Atop an original, haunting string score, ambient sound, and barely audible whispers; layered, heavily processed and glitched video the corrupted data of faulty ekphrasis, of homophones, puns, and alternative definitions play. “People” becomes “peephole”, “I see you” becomes “eye sea ewe”, and to “eschew” is defined as “circumvention by way of abstinence.” Nonce.Executor is a […]


ingenX Posted by in Video Work, on October 10, 2015

Ingenstans (meaning “nowhere” in Swedish) is a video project about living between languages, trading American city life for village life in Sweden, or somewhere, nowhere. As a whole, the film could be taken as a sort of ethnographic film, combining elements of documentary film with narrative film, spurious accounts of cultural icons, and reenactments of […]